My artistic practice investigates how technological systems inscribe themselves into material, form, and perception. I work with processes that connect industrial fabrication, craft, and speculation — translating mechanical logic into sensual experience. Through sculpture, installation, and video, I explore the tension between precision and excess, functionality and affect, human and machinic gesture.
Each project begins with a material encounter: a surface, a component, an industrial residue. These fragments are reconfigured through processes of casting, transformation and translation, turning technical matter into bodies of resonance. I understand production itself as an ecological and psychological act — a negotiation between human intention, material agency, and energetic transformation.
Across my works I trace how energy becomes visible: as movement, as ornament, as vibration. The sculptural object is not a fixed form but a momentary state within a field of forces — a threshold where the mechanical and the organic converge. In this sense, my practice approaches material as a living interface: a medium through which contemporary myths of progress, power, and empathy are continuously reassembled.